There WAS a NAMM video demo of the MS20 using an MP3 player as input/external sig in and cannot seem to find that video right now but it was pretty amazing how it responded to audio alone.
Just rec'vd. an email back from Waldorf in my blatant quest for sound demos possibly soon of their anticipated Pulse 2 in which they curtly stated, "We will make some audio examples when the Pulse 2 is in a state where we can
take samples
" I wrapped that request in a thankyou for directing me last month in where in the USA I could obtain preformatted Q-cards for Q-rack
.
Speaking of which and the tuning inherent with the Virus emulating characteristics of analog--the Waldorf Q engine has a similar tuning that actually can be altered globally or per voice/program from zero to 100% and called "The HMT function", in which the tuning is not static, but rather dynamic and adjusts depending on content and say for instance, chord structure, whether it is a Major/Minor, a third, fifth, and so on. It even shows a setting to ensure you send these settings to other instruments via midi...I am of course just touching tip of deep iceberg of learning curve of the Q and is very interestingly scientific in explainations in the manual to where you can tell a person that is BOTH a musician and engineer wrote/designed/programmed this beast. Thought I'd share this since on the tuning fork--so-to-speak! Ha!