Here are useful formant frequency settings that circulated on the old Analogue Heaven list some time ago:
Code:
Speaker F3 F2 F1
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IY (beet)
Man 3010 = F#7 2290 = D7 270 = C#4
Woman 3310 = G#7 2790 = F7 310 = D#4
Child 3730 = A#7 3200 = G7 370 = F#4
IH (bit)
Man 2550 = D#7 1990 = B6 390 = G4
Woman 3070 = G7 2480 = D#7 430 = A4
Child 3600 = A7 2730 = F7 530 = C5
EH (bet)
Man 2480 = D#7 1840 = A#6 530 = C5
Woman 2990 = F#7 2330 = D7 610 = D#5
Child 3570 = A7 2610 = E7 690 = F5
AE (bat)
Man 2410 = D7 1720 = A6 660 = E5
Woman 2850 = F7 2050 = C7 860 = A5
Child 3320 = G#7 2320 = D7 1010 = B5
AA (hot)
Man 2440 = D#7 1090 = C#6 730 = F#5
Woman 2810 = F7 1220 = D#6 850 = G#5
Child 3170 = G7 1370 = F6 1030 = C6
AO (caught)
Man 2410 = D7 840 = A5 570 = C#5
Woman 2710 = E7 920 = A#5 590 = D5
Child 3180 = G7 1060 = C6 680 = F5
=
UH (full)
Man 2240 = C#7 1020 = C6 440 = A4
Woman 2680 = E7 1160 = D6 470 = A#4
Child 3310 = G#7 1410 = F6 560 = C#5
=
UW (good)
Man 2240 = C#7 870 = A5 300 = D4
Woman 2670 = E7 950 = A#5 370 = F#4
Child 3260 = G#7 1170 = D6 430 = A4
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Synths can be like women. After the initial few months of intense love-making, things become routine, banal. Once the deepest recesses have been probed, new specimens begin to attract the eye, bursting with promise of unique treasures to uncover. --Doof
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Alesis Andromeda A6, Roland SH-101, Roland Juno-60, Yamaha FS1R, Yamaha SY85, Alesis Micron, Kurzweil K2000VP, Roland GR700+G707
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