Quote:
Originally Posted by Khazul
Yeh - I just cant enough 'attitude' out of the TI even with osc phase tweaked, punch maxed, the envelopes as blipy as they can be and using an lfo in one-shot to add a noise blip. This is the area where I find the V-Synth a bit more intense.
Needs a better compressor on the job as well - bog standard compressor that ships with Cubase SX - which I allways thought was crap - though TBH I didnt exactly pay alot of attension to compression - just cranked it
I would be interested to know what went into the original sample sound used - sounds like the kind of thing I could have got out of a D50 or DX7 quite easily.
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I think reverb and delay pay a large part in the sound. Particularly the actual reverb sound/colouration and envelope it gives the pizz. The 3/4 delay on SalvaMea is quite apparent. But it's still all very clean, not muddy. A transient follower might have been used on the raw sample (before further processing) to tidy it up and clarify it. - The pizzi samples are very short. - The reverb and delay fill out the rest, followed by the main buss mix compression.
Also, on the dry MC505 pizzi sample I'm also thinking Roland, when they recorded it, may have processed it with a very short, one-shot "slap-back" delay/echo, before uploading it into the MC505 waveform Rom. Maybe a short reverb with lots of early reflections, too.
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PS > And another thing! Will the Ti|3 have user customisable/importable wavetables?
A ribbon-controller or XY-Pad might be nice, too, please! Thanks!