Modulate 'Osc1' and/or 'Osc2' destinations via LFO1. (Keep intensity low and understated, otherwise the pitch modulation is too much).
Or modulate 'Assign' [with destination = 'Osc2Detune' or 'Osc3Detune'] via LFO1. (More subtle than using 'Osc1' or 'Osc2' destinations).
Choose LFO rate/speed to taste (slow and understated is best). Try using a polyphonic sample+hold or sample+glide waveform for the LFO, so that the pitch modulation differs with each key press.
I prefer to set the LFO1 to modulate 'Osc1' by a negative value (say -6) and 'Osc2' by a positive value (+6).
You can do all of this from within the LFO menus themselves (modulate 'Osc1', 'Osc2' and 'Osc 2/3 Detune' [via 'Assign'] all together) if you wish to keep the main modulation matrix sources/destinations completely free for other duties.
Make sure that the 'PhaseInit' setting from within the oscillator settings is switched Off.
Bear in mind that PureTuning already does this analogue-like detuning to a degree. - The last time I measured it I found that the fully 'Tempered' setting gave a random 4-cent deviation on each note every time you pressed a key.
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PS > And another thing! Will the Ti|3 have user customisable/importable wavetables?  A ribbon-controller or XY-Pad might be nice, too, please! Thanks!
Last edited by Timo : 10.09.2009 at 07:01 PM.
Reason: i edit far too much
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