Thats exactly what I said?
"I bought the Polar knowing very little about subtractive synthesis and the ability to look at what the settings are on patches has taught me so much about what parameters change what types of sound instead of blindly fumbling in the dark - the ability to buy a professional sound set and have a look at those sounds/edits as well is worth the price of admission alone."
If I was dead keen on making exactly the same sounds as the ones in a soundset for my instrument, I would pay the cash - as it stands there are no banks that I would consider a must buy for the educational experience.
As I said, consider it a form of a lesson.
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