Let's give this a rest, shall we? It will go nowhere.
I do find that even with digital - or virtual analogue - instruments, there's a lot of diversity in the character. I actually see that as a good thing, to have diversity of sound in the products on offer. The Virus (at least until the C) were known to have a kind of dark tone, whereas the Nord Lead was more clear, thin, but with presence on the highs.
There is however, despite the fact each machine has it's own character that to some extent is the barrier you can never trespass, there are of course ways to stretch that as close as possible to the sound of the other. Some options were presented here for that. Not only that but, obviously, for plenty more uses in sound design, with multiple simultaneous control or modulation of parameters. That's plenty of fuel.
With a new synthesizer on your hands, how come does it feel like your more into law?
I'm well aware of what I say. I also know what I meant with things I say. I know people can misinterpret something. There's relativity and all of that. But some people - I also know that - will pick on you for no reason at all and seem to have nothing else to do then to pick on you. Even, with a brand new instrument sitting around that could make them dive into the realms of the unknown (each his own limits) and sort of bring something back in the form of frequency content, vibrations, whatever... all is better then moaning really. what are you trying to achieve with this? what are you trying to prove? are you compensating for something else? does it work?
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