You have "keyflw" in your sources list (translates into "note played in) and "EqMidFreq" and other relevant parameters as destinations. That's what you'd use to make the EQ follow the pitch - sort like Surfer EQ does.
Imagine you do that but you still want, say, when closing up an High Pass filter to drop the gain of this EQ accordingly. You can by making whatever it is you're using to modulate or control the cutoff position of this filter also modulate "EQMidGain" destination.
This is just a way of thinking about sound design: you're correlating various parameters at once, making them respond to each other while still being easy to control.
Did I mention some people like Skrillex automate an EQ band to create the mid range bass sounds that made him famous? Right...
I seem to have mentioned on my first post that Timo's written a great post about a workaround for getting the envelopes to be as linear as possible. Search for it and read through it.
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