Quote:
Originally Posted by TweakHead
Second that. And there's a clear distinction between one's expectations about the development of some company being frustrated over time and the actual potential of it to make music. At the end of the day that's what matters the most. And as far as digital hardware synths are concerned, the virus is one of the most complete and deep synths on the market today. Also bear in mind that as far as the Batman movie OST is concerned, the actual synth used was a specially made version of Zebra combined with Diva's (another u-he synth) filters and some specially designed, for the occasion, modules. Let me remind you that even though that special package sounds great, no doubt about that, it comes with the cost of eating so much of one's cpu that it hardly stands a chance of becoming a go to synth for practical music making. It's actually one of the very few filters out there, on the software market, that holds it against the quality you can find on the virus - and it eats cpu for breakfast. Therefore, the virus having it's own couple of dsp to handle it's own sound is still a BIG advantage, even with todays cpus. The Diva alone can make intel i7 salad if you push it to its limits, and I mean just one instance of it - tested, so no speculation here.
And while we're at it. How come adding two extra assignable envelopes reads to some as nothing special? Do you even realize that's the kind of specification most synths display on a catalogue? And adding some extra filter options? Is that something a sound designer does not appreciate? I mean... If you don't like filters and envelopes, that's only two of the main modules on any given synth there is in the world. Just my 2 cents on that matter.
There's more sucessfull tunes made with a virus, these days, then any number of people speaking badly about it. Would you rather have something like a Nord Lead? Two Oscilators, doesn't even have a mod matrix - to this day - and it still sells. It's got some very good qualities, not denying it, but my virus C would eat it for breakfast when it comes to depth, let alone the TI line. That does count for me. Quality and having options.
The only thing I do agree with here is the price being to high. It really is. And by the way, what hardware synths do you guys like? And what companies do you think are pushing the limits here? Because U-he and Native Instruments are mostly software companies, there's not a single hardware synth by them. Point made I guess.
And no one's pushing this towards Ego battles, it's just playfull joking, opinion sharing, and healthy talking the way I see it. Cheers to all.
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I agree completely! There's only ONE softsynth that has my attention but do not know if it too would eat even my pretty powerful DAW PC for breakfast by Izotope, the IRIS....pretty interesting device. As far as hardware synths other than my Virus KB and KC, for diversity in sound I have found ways to make the Korg Radias sound incredibly nasty in a good way, Waldorf Blofeld Black Keyboard I consider in same league of the Virus as it too is pretty incredible when you start programming your own sounds, then there's DSI MonoEvolver Keyboard--another innovative monster, then in hardware rack: Waldorf MicroQ OMEGA, Korg Wavestation SR, Novation Supernova, and Waldorf Microwave XT, and lastly for it's versatile ARP and all the TR808 drums in a small package my only Roland, the SH32. All these synths have something unique to add to a mix with only limitation the occasional creative brain farts. HA! The Ti series is not an interest to me at this time because am also learning DAW Reaper and that may change if I get the Presonus Firewire Mobile Audio Interface, which comes with full version of Studio One. So once the DAW is mastered, then *may* look into a desktop Ti2 because studio real estate is about maxed if you count a few midi controllers that come out of closet
Does Camel Audio's Alchemy eat CPU for breakfast too?