Quote:
Originally Posted by austin_tacious
I also have an XL7, but only use my MPC since I got my TI. I always create a new multi for each song. Cool thing about the TI is the singles get saved inside the multi so I don't have to worry about losing my presets or anything. I hate pgm changes in my setup. Also, the redundant naming helps keep things organized at the end of a project when I'm archiving everything I've got a sysex file with all my presets, sequences, multitrack/PT sessions, etc. I've been working this way for probably six years. The only problem was with my Virus Classic that just referenced the singles from the multi so if I used the same sound in two songs or moved the preset my song got screwed. Good naming and redundancy is key. Also, develop a protocol for your multis. By this I mean sub is always on ch9, mid bass is always ch10, FX/processing like vocoders or aux processing is always ch16. Drums are usually 1-4 (on the xl7 its always top row, eg 1-8 ). This way I always know where to go to get a particular sound regardless of what song.
|
Whats up? Thats sounds like good info... I need to learn how to assign sounds to different channels. I want to use my Indigo as a module with my MPC 2000... I'm sure it's possible... isn't it?