Quote:
Originally Posted by feedingear
Not sure why you dont just bounce them down individually, or use the mixing within the TI plugin to control levels before you do your mix... once your ready to start fine tuning the sounds with your VST effectsor other outboard gear, then bounce as audio.
I use a stack of tracks, and I know that a lot of producers can easily use 2-300 channels for a dnb track (Shock One for example) once you add all the breaks, one shots, and synth fx samples.
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Well the problem with using outboard effects with the TI is that all the parts are coming out through one mixer output so any effect I put on it will globally affect the all the parts. Bouncing to audio will limit me because I wouldn't know if any part needs to be automated prior to bouncing if I wanted to free up the virus for more use.