ok..
have i spoke with 99percent of the buying public?
no and i dont claim to have!
higher bit/rate mixing and recording benifits the producer hugely.
thus making the finished product better for the end user.
i know i attain a better control with less work @ higher rates.
dont act like noone uses higher rates because it is simply not true.
yes there synths are a staple.however for someone that does all there demoing and stuff to "say the public doesnt care about quality
because they listen to mp3" doesnt sound like a good attitude to me.
i despise mp3 and never listen to them...i must be the only one
so because people listen to mp3 it doesnt matter that the "ti audio function" isnt able to support a standard that is supported by even crappy vsti...and sound blaster live cards!
please! ever heard of "waldorf microwave pc".
i own one and it came out in 1999.
it is the guts of an XT mounted in a 5 1/4 drive bay that interfaces with
the computer and you control it with a plugin interface
a full 10 voices-
hardware keyboard quality latency
full hardware compatibility.
no cpu cycle stealing
I love the unit...which is why i wanted to go for the same type of thing
for the virus.
again i would not call it a TI
because its intergration is quite limited.
if you are buying it for just the synth then im sure you will be happy
but if you are buying it for the "intergration"
dont plan on working on anything but 16/44 intergrated
other than that the intergration is a usb cable instead of a midi one.
jesus
my problems arent off the wall.
it doesnt say anywhere in the documentation that your host has to be set
to 16/44.
Everyone doesnt work @ 16/44
again take a look at the audio cards that have come out in the last 2 three
even 4 years. all higher bit rate compatible....
this is no little sect of recording producers.it is the present and future.
if access continues with the "ti" line which i think they should
version 2
will correct these core flaws in the total intergration aspect.
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