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Dominant 5th or V7 chords!

I-ii-iii-IV-V-vi-vii
Major Scale- if you count the roman numerals you will realize for F it would be as follows

F-G-A-Bb-C-D-E

Then you take a C7 chord

C-E-G-Bb---which understanding how you make a chord is by every other letter of the scale and then you can invert it unless of course you are using non harmonic tones, like passing tone neighboring tone, suspension, Retardation, Anticipation, Appoggiatura, Escape tone, Successive neighbors, and pedal....so you can start with say F of the scale and know that F A C is a chord...notice every other letter...I believe writing it makes it easier to understand rather then learning just chords...and if im right about the C7 then an F7 would be as follows: F# A# C# E? correct? This would make it a dominant 7th or the Tonic or V7 of I!!

As for Vsus4? You will be able to start using suspension chords much easier is you read on how they are used and not the chord itself...they are a non harmonic tone that can be used harmonically...but tend to work better non harmonically or chromatically...what i am saying is you will get the most out of a suspension when it is placed in a spot where you resolve it...The 4 3 suspension or 4 is used when you suspend a note a fourth above the root or I...(ie A-C-E then to A-E-B then resolves to G-E-B) so the A is a fouth above E...so technically you would say that AEB is a sus4 chord...so you could say that you can take the 3rd out of a chord and replace it with a 4th and you will get a sus4 chord... so C-F-G, A-D-E, G-C-B....blah blah blah....but its not really good to think of it this way because its not really a chord...its a melodic tool to give a piece more excitment, conflict, and interest! And thats just Sus4 we still have the others!!

peace
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