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-   -   Unbelievable Square/Saw Synth ? (http://www.infekted.org/virus/showthread.php?t=30927)

MiddleThinkr 01.05.2009 10:57 AM

Unbelievable Square/Saw Synth ?
 
I try and try the whole fu**** day ^^ to do the synthesizer of the Lead Melodie of this track http://www.youtube.com/watch?v=D67RRK91jmc
please help me XD please ^^

FFoxX 01.05.2009 11:25 AM

Highly detuned hypersaw.

Timo 01.05.2009 12:19 PM

Quote:

Originally Posted by MiddleThinkr (Post 289592)
I try and try the whole fu**** day ^^ to do the synthesizer of the Lead Melodie of this track http://www.youtube.com/watch?v=D67RRK91jmc
please help me XD please ^^

Some similar patches in Vengeance' soundsets.

http://www.vengeance-sound.com/eng/i...dexSounds.html

MiddleThinkr 01.05.2009 07:03 PM

Quote:

Originally Posted by FFoxX (Post 289594)
Highly detuned hypersaw.

never ... so dude sry but i am realy not a pro but i hear a 100% square sound in it ^^

Sonis 02.05.2009 08:35 PM

Sounds like your generic hypersaw/squares with some nice distortion/overdrive on it.

annikk.exe 03.05.2009 12:39 AM

To get this, I would:

1. Set osc 1 to supersaw with some detune, width fairly narrow.
2. Set osc 2 to full on square (pulse), and do 50/50 osc balance.
3. Use low pass filters with about 40%-60% resonance and keyboard tracking set to +max, tune the resonant bit to the rest of the notes. Use this to get the pure-sounding sheen over the top.
4. Saturate your filters with some light distortion, then apply light distortion in the effects section.
5. Add a small amount of reverb with a long-ish tail and a fairly dark colour.
7. EQ out everything below 300hz.
8. Mayhaps add/adjust analog boost.
9. Set mono


Not tried it, but... Yus. That would be my guess.


-Annikk

MiddleThinkr 03.05.2009 01:04 PM

Quote:

Originally Posted by annikk.exe (Post 289637)
To get this, I would:

1. Set osc 1 to supersaw with some detune, width fairly narrow.
2. Set osc 2 to full on square (pulse), and do 50/50 osc balance.
3. Use low pass filters with about 40%-60% resonance and keyboard tracking set to +max, tune the resonant bit to the rest of the notes. Use this to get the pure-sounding sheen over the top.
4. Saturate your filters with some light distortion, then apply light distortion in the effects section.
5. Add a small amount of reverb with a long-ish tail and a fairly dark colour.
7. EQ out everything below 300hz.
8. Mayhaps add/adjust analog boost.
9. Set mono


Not tried it, but... Yus. That would be my guess.


-Annikk


ahhh i hoped this would be it :S but no =(

flipside 04.05.2009 09:20 PM

How do you feel about this?

Defqon test

Just a quickie, and done in one patch, but I have a feeling you will get a closer result if you use two sounds. One distorted square and one high pitched classical supersaw 1 or 2 octaves above.. slightly add some high rate lfo modulation on the pitch to give it more "scream"


Best,
Alex

feedingear 05.05.2009 05:15 AM

That sounds a bit closer for the square sound, mind posting up what you did the same way annik did? Want to try running that sound through my Filterbank and seeing how it comes out :D.

Timo 05.05.2009 09:31 AM

Add a little FM Noise fizzzzz.

Or ramp up the LFOs to the maximum speed and use them to subtly modulate Osc1&2 pitch for buzzy distortion. Alter the LFO waveshapes for slightly different characters.

Tame to taste with the filter.


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