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Whats Going on in the bass here ?
http://www.youtube.com/watch?v=sS76eS34Y0c&ob=av3e
is it a subbass sine ? also is portamento/slide used on it ? |
on an unrelated topic, i was meant to interview this chick. thank fuck she cancelled, as i had no idea how to ask a question which didnt begin with "whats it like being a vapid whore making shit awful lowest common denominator eurotrashhouse?"
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oh yess..but what about the bassline ? For the sake of learning ?
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Personally I'd hit that no problem, I just wouldn't let her near any musical gear while I was around. Its not like she's coyote ugly or anything. ;) |
I guess she's too interesting, no chance of learning how they got that sub bass type bass huh ?
I know its a crap song, but I still wanna know how stuff is done...Is it really not at all worth knowing about the production techniques used ?And then maybe apply that to some better original music ? Please Guys :) |
MBTC, i suggest you do a ye olde wiki/tube crawl, and check out some of the other singles shes released. Truly fucking awful stuff, offensive for anyone who gives a shit about good dance, let alone good music. I've been lucky enough to interview some people, who I have respected and followed throughout their careers, in my brief time in radio and it's an enriching experience. Lucky for me I got out of a situation where I would have had to lie through my teeth to get the interview done satisfactorily.
And if hitting up romanian hookers is your vibe, then go for your life. Personally I prefer women who dont have to be shot through a lens filter and six kilos of makeup to appear zomghawt. Sorry nutrino, but I derailed your thread, and I dont have the answer you want either :). My apologies. |
Was just having some fun with the thread really. The music is top rate crap, and was joking about her (not really into the overall look, particularly makeup or hair), but I didn't see any evidence that she was a prostitute (any more than any other published musical artist is at least), so that seems a bit like profiling every female that comes out of a particular country. People had the same reaction to Madonna in the early 80s, and I still don't care for her music or makeup job but she can buy and sell you, me or anyone here these days, so if your thing is radio interviews its more professional not to burn bridges in the industry, that was my point.
Nutrino, sorry for my part in the thread diversion work but I don't have an answer for you either. Sounds like relatively simple sines to me as you pointed out, with a little EQ work to make it stand out. I couldn't find anything special or identifying about it. |
If my above post ever has any bearing on my job whatsoever, i will personally buy you a Virus TI.
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A few years back I was technical director on a project I was staffing for (this was a six figure USD position), and a resume landed in my inbox from a guy I knew from about 8 years back who had recently been laid off and was looking for work. I silently shitcanned his resume because I remembered what a primadonna prick he was to work with. He missed the opportunity but he never directly felt the pain, and I suspect got a different job that took a few months to realize the mistake they made hiring him. My point is that even if it impacted or hindered your career in large amounts, you would never be aware of the root cause. Opportunity cost is something nobody will ever send you a printed invoice for. Not telling you how to manage your career, but it is always & unconditionally better to not burn bridges professionally, especially in the entertainment industry. |
You have a valid point in respect to the way the industry works, and I do understand where your coming from and the possibilites (however remote) of some kind of ramification, and the hooker call was probably a tad out of line even if it was meant as an off the cuff joke. And to be fair, if it was an area of the industry I wanted to work in as a composer I would have thought twice before commenting, or at least rephrased vapid whore into something slightly more polite :).
When it comes to music and artistic value/innovation/creativity I am not going to shirk away from my opinion. People are allowed to say what they like about my music (and I'm quite sure theres plenty of people out there who either hate it or just think it is shit). Radio would be a much more interesting medium if people said what they thought. I have a lot of respect for announcers who give their opinion and dont just suck up to vapid, soulless swillpop artists during their interviews or when talking about their singles on air. Unfortunately, the way the commercial code of conduct is geared it makes it very dangerous ground to tread. Kind of hard to believe that 40 odd years ago, radio was the place to break music boundaries. |
I also didn't explore that remote possibility of becoming something like the next Howard Stern, where success is based entirely off of shock value, name calling or whatever keeps people listening, it just seems a little like winning the lottery (especially since pretty much everyone except Stern has failed at real success with it).
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USELESS Thread :)
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