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Synth sound best with almost all sort of music. I listened to a jazz-koncert in the radio the other day with a solist on synth 8) Sounded awesome :D
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I can imagine m8. Actually I really like the sound of synth with pianos and other accoustic instruments. Sometimes I find 100% synth sounds too much. But I think synth used moderatley is da best!
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The only thing i think about when i am creating a sound is:
if i was making a song then what kind of sounds would i like to have in the song... Then i skip genre from genre and thats how i make sounds...I hardly ever run out of ideas for sounds...and when i do its maybe for a day only because i have been working 7 days straight without a true breaks peace Blank |
Force and form
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Quote:
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Most of the time these days when I'm programming sounds I'm trying to emulate the expression of classical performances. I go to a lot of concerts and think 'DAMN how can I get that range of expression from a part?'
I haven't got that far with it so far though. :( The rest of the time, I'm trying to make sounds that are strange, funny or squidgy. Oh yes! |
I know it sounds a little new age-y, but for me, my synths are a doorway to the Divine. It's what happens when I paint also. I disappear into something much greater and let it happen. Feelings, images, timelessness.
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im on a low ebb at the moment like some other people here so inspiration is low at the moment. but it picks up eventually. always does. its a bit like a continuous sine wave of cant be arsed. whoa! moment of inspiration! must design sounds! and pretty mocu everything in between.
but hmmm. motivation to design sounds? emotion is definitely one. i tend not to visualize sounds and i find it difficult to think of auditory sensation in terms of images. i definitely go on what feels right. i do write mostly dance oriented music and when everything comes together and works i get this really uplifting feeling. very odd. for instance, the first time i hear a life changing type of song i get this shiver that travels all the way down my spine. thats always a sign of a great sound. so when im sound designing and i stumble across something that really works, the good ol tingling sensation is always a good pointer. the other good pointer is the zone. im not sure if ive explained the zone before. but i always describe it terms of mario kart. i used to be pretty damn good at mario kart (if i dont say so myself :O ). the zone is a weird phenomenon that i experience most evidently in racing games. if you are racing and the pressure is really on. you are racing your own ghost, which is at this point practically unstoppable. i noticed that sometimes i would literally zone into the game. sometimes i could take corners and just swing round cleanly and i would capitalise on this momentum. other times i would just fuck up and its hard to capitalise on the momentum of a great race when you havent even got the kart up to top speed. when you are taking corner after corner and you are gliding round them perfectly - and you are on for a record time. racing mario kart at this kind of level puts you into a sort of trance like state. thats the zone. basically when im playing mario kart in the zone im barely in control - im not even really thinking about what im doing and what buttons im pressing. im just racing. i often perform very well in the zone. however. i can very easily fall out of the zone. if i start thinking about it. see. the zone isnt about thinking. its about doing. as soon as i start realising 'holy damn! im having the race of my life!' i invariably spiral out of the zone and screw up because my concentration is no longer on the race - its on what i great lap ive just done. hold that thought. now think of that in songwriting/sound designing terms. i get ebbs. sometimes i get really fired up and ideas are going off all over the place and designing a patch with a drum track going in the background and you just lose yourself in the rhythym. hence why i like trance type music. i dont mean this cheesy euro shit. i mean music which induces a kind of hypnotic, zone like consciousness. typically i find this in goa trance, certain psychedellic trance, hardcore and old school trance. typically the best patches are the ones i design on the fly in this frame of mind. other times im too aware of a specific part of the sound or im overdoing something and im aware of it. and i flog a dead horse until i just need to take a break. times like this im trying too hard to get into that state of mind. sometimes it just happens. other times not. i notice that you can get into the zone about everything. atheletes i imagine mentally prepare themselves for races and so forth in a similar way. anything that demands focus and attention i suppose could eventually induce that kind of state of consciousness. i think this is why trance based music has a very spiritual connection with eastern ethnic music - especially goa trance. so yea. what motivates me to make sounds? a moment of zen like clarity probably. Quote:
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I can sum it up in one word a.t.m. KEMAL
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