That's ok. So, now we're cooking.

The rule number one while setting up the oscillators is that keep at least one main oscillator non-detuned. That way you keep the pitch right and avoid tuning problems. Also take easy with chorus and pitch LFO's/envelopes.

Phew, I've read the question about three times and still can't understand it.

AFAIK, pretty much every 'tuned' patch made should ideally reference to a base semitone value of 0, or transposed an octave or two above and below, as Juho pointed out. When you've learn theory and stuff, then the 7ths, triads etc. come into it. And of course for the non-tuned instruments (percussion, sfx, etc.), anything goes.
And that's pretty much standard across all synths.

Actually, have you got one synth globally tuned to a different key than the other?

If one synth is globally transposed, say, 4 semitones up from another, second synth, then yeah, you're going to have some serious probs tuning patches to sit well between both synths.

Best set equal global transpose settings for each/all synths at any one time.

the 5th can also be used.
it doesnt have the "tonal dynmics" of 0,7 or 12(whole octave up) but it can also be used.

no, im talkin about the oscillators used to make a patch..
i dont globally transpose...
as i say, i tend to use weirder offtuned oscillator settings, like -2 semitones for osc 1 and detune it alot compared to osc 2...
i make idm :)
the only reason i mentioned other synths is because if i try and create a new patch to use with the original patch ive made, whether on the indigo or another synth, i find it difficult to match the pitch
cheers

So it seems that you're forming chords with the oscillators. Using oscillators to form chords is not a very parctical way, but it can be done and the rule of one +0 oscillator also applies here. Creating chords with oscillators is always a bit "risky" because you tend to forget what chord is in which patch. For example if you program maj7 chord on one patch it won't work with a patch that has m7 programmed in it even the both patches play at the same note.

I'd recommend creating a single note patches and playing the chords instead of programming the chords in to the patches. Much easier that way plus you get more oscillators per voice.

Seconded.

Grab a couple of beginner/intermediate keyboard music theory books, or something, you wont regret it. Ignore the oscillators, sounds and stuff for now. It's a distraction.
There's nothing better than just a man and his piano for actually learning music.

Nope that's not me I'm affraid. At least it's not the personality I'm using now! 8O Maybe my psyciatrist was correct!

I think you misunderstood. I didn't mean take other peoples sounds, then tweak and use them. I meant program your own sounds (from scratch) then tweak and make variants. Doing this will give you instant access to many sounds with-out thinking.

Thirded! Definitely wouldn't be using the OSCs in this way.

Good luck with it all mate. :wink:

hehe.. cheers to yous all...
ive actually been thinkin about taking piano lessons just to properly learn chords etc.. i do play chords, but its just that it takes me longer to get things down...

is there any keyboard books yous would reccomend? i bought 1 last yr, but its as dry as hell and seems pretty crap...

Juho helped me out with some basic chords and stuff once before.

I can play by ear alright, but it was nice to know what the chords/notes were I was playing.

Maybe Juho should start a thread with diagrams called "Basic musical knowledge". I know you have time Juho :wink: .

I indeed do have time, but the reason why I haven't made a chord tutorial is that I'm no 100% competent with correct musical theory. My explanations might be a little "bit weird".

But it seems that no-one else is able to make such tutorial, so I might make one.